Hi everyone. If you are in London, come down to the Hackney Attic on August 28 at 7.30 pm. TAKING OVER THE KING’S LAND is screening at the Hackney Attic Film Festival alongside several other fine films in the Documentary Shorts programme. It will be a great evening! Best of all, it’s FREE!
Tickets bookable here: https://www.facebook.com/events/1256360871050516/
Every place that used to be something or offer something has turned into a place for swilling endlessly.
The bookshop now serves food. The library has a cafe; in fact the cafe is much busier than the library. The urban garden does coffee and sandwiches. So does the supermarket just in case while you are shopping for food you are overcome by hunger and need to eat.
Even the bicycle repair place is also a coffee shop.
What is going on? Why is every second shop a restaurant or café? Some streets, such as Broadway Market, used to have actual shops, but now it is just one whole street of food (with 3 bookshops which, so far anyway, mercifully don’t serve food).
Why do people eat all day long, even in the street? Can nobody just live for a few hours without grub?
I mean, for sure sometimes you do have to grab a bite when you’re out all day long, but I can’t understand why and how, overnight a hardware store for instance shuts down, then in 24 hours it becomes a café and is immediately full of people all stuffing themselves like they have never had access to food before.
It’s not like people are using the cafés in the old-school way, to meet with friends and have, like Surrealist meetings like Andre Breton used to in the Café Cyrano, or Sartre and de Beauvoir in the Deux Magots. No they are just sitting there alone swilling very expensive coffee and chunks of cake bathed in the blue glow of their Macbook Pros.
It’s all a bit – well, not depressing exactly, but perhaps dispiriting.
Swill swill swill, nothing else to do.
you could just wait till you get home 🙂
I am really wondering – and not for the first time – what on earth is the point of London having any theater reviews whatsoever. Because by the time the review appears in print, the well reviewed show has long been sold out. Unless you have a membership to a theater organization, you will not even know what the season’s schedule is. Most of us don’t have season tickets were memberships, because they are very expensive.
I will make one exception – I have a season ticket to the fantastic Arcola theater in Dalston, which continually programs excellent theater pieces; last year’s waiting for Godot was a standout. Arcola also do a great deal of outreach work and have built their reputation over the last decade and a half from the ground up
But to be completely honest, the capital’s principal subsidized theaters are well out of the reach of the majority of the population who are occasional theatergoers, or even possibly potential theatergoers who have not yet taken the opportunity. It is just far too difficult to get tickets for the plays which are considered to be the most excellent.
It is probably not the best way to woo new audiences.
I just had my official London screening debut for taking over the Kingsland, at the Portobello film Festival. London has many festivals, of different types from the grandiose London film Festival, which brings feature films from around the world, to the Raindance Festival, which is a mix of different types of things, to small specialist festivals and even neighborhood festivals. It means that almost any night of the year you have a chance to go and see really cool films in London, many of them by independent filmmakers from all parts of the globe. It’s such a stimulating place to live and to be a filmmaker.
Portobello film Festival is one of the most interesting of the festivals. For one thing it is huge, they program a lot of films and they have several venues and it’s extremely eclectic. The principal venue is really impressive, it’s a pop-up cinema, which is located under the Westway, the massive elevated freeway that runs across West London. They constructed the cinema underneath it, with a giant 30ft screen, and outside a sort of courtyard with a bar and partying space etc. It has a really great atmosphere, it’s extremely chilled out and because the festival is free, it encourages people to come, come and come again and participate.
Because my film is about street art and culture, it seemed to me to be the perfect environment to screen the film and it seemed that when I was watching the film and seeing the responses of the audience, though, is really right. I also really appreciate the fact that the festival is free, since my film and the project it is about, was all about being outside of the ‘cash nexus’ …
Portobello film Festival has a really amazing essay about the neighborhood the Portobello Street Notting Hill area, which is extremely interesting and has fascinating history. Although many people may be familiar with ‘Notting Hill’ from the totally fakey movie with Hugh Grant, it’s actually a much more diverse and quirky area. Even though it has been to a large extent colonized by the Uber rich, like most of London, it hasn’t completely sunk in the swamp of oligarchy. Anyway, there’s a fantastic little article on the Portobello film Festival website, which you can look at here