Tag Archives: Nazir Tanbouli

film screening

Hi everyone. If you are in London, come down to the Hackney Attic on August 28 at 7.30 pm. TAKING OVER THE KING’S LAND is screening at the Hackney Attic Film Festival alongside several other fine films in the Documentary Shorts programme. It will be a great evening! Best of all, it’s FREE!

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Tickets bookable here: https://www.facebook.com/events/1256360871050516/

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TAKING OVER THE KING’S LAND at Sheffield Docfest

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Sheffield Docfest has begun!  It’s the first day and yes, the weather is appalling, so far. Luckily though, the films are indoors.

TAKING OVER THE KING’S LAND has just screened at the Puny Gods Cinema in Exeter and is now at the Sheffield Docfest, the UK’s biggest and most important film festival for documentaries.  The film is 23 min long and is in the festival Videotheque, available to all the festival delegates.

Arts docs are notoriously difficult to place since many people associate the documentary genre to social issues, or art history. TAKING OVER THE KING’S LAND is a portrait of  an artist, and of a remarkable project set in the world’s greatest metropolis.

Short synopsis:

What on earth is an Egyptian doing painting the walls of a condemned block of flats in East London? As the city prepares for the 2012 Olympics, the Kingsland social housing estate lies in ruins, synonymous with crime and brutality. Taking Over The King’s Land follows artist Nazir Tanbouli and his self appointed task to take over the condemned housing estate and cover it with art. He battles the endless rain and the bitter weather of the “British summer.” Can art counter the urban atmosphere of deprivation, blight and neglect? Can it help Naz come to terms with life as an émigré Egyptian in London?

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TAKING OVER THE KING’S LAND

The King's Land

During the whole project The King’s Land the process of creating murals over an entire derelict housing estate was being documented by film and photography.

The film, TAKING OVER THE KING’S LAND  (running time 23:00) is complete and is being released by New Reel Films. It’s being submitted to festivals at present. For more about the film, click on the menu above.

Here’s the trailer:

Taking Over the King’s Land  on Vimeo.

There will also be a short book published by Studio75 to accompany the film, coming out in late 2013.

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Strength in decay

In a decaying society, art, if it is truthful, must also reflect decay. And unless it wants to break faith with its social function, art must show the world as changeable. And help to change it.
Ernst Fischer (Ernst Fischer, The Necessity of Art: A Marxist Approach)

“The things of mortals, mortal are as they: All pass us by, quickly to fade away, If not, we pass by them and they decay.”
Lucian, Syrian writer, circa 150AD

ALLOWING the work to decay was Nazir Tanbouli’s choice as he announced the end of the King’s Land project. Initially the idea was to keep making murals until the building was hoarded and demolished. However several things intervened to change this plan.

Firstly, the building work was put back and put back. This meant that the mural making could have gone on until October or even November. By which time any impact would have been lost, if the artist was even still interested.

Second, the weather this year has been unprecedentedly wet. As the project was based on the idea of paste up changing murals, there were just too many days of soaking rain when no work was done, or murals melting and dying before their time. 2012 is the wettest  year even in British history. No other year has been recorded this wet. Ever. And it’s Britain., That tells you how wet it its. It became a Sisyphus task of putting and reputting. That might have been interesting in itself but it was not the aim of the project.

Lastly and most importantly, Tanbouli wanted to make an impact and with The King’s Land he did. He also wanted to make something for the place, and as some of the murals are indeed painted, there is a good selection of murals that will stay until the building is torn down. He also wanted to make a point about decay: that this is an estate that has been left to decay for a long time by the powers that be – lives blighted, neighbourhood made ugly and embarrassing. The murals were not meant to hide that. Now the murals play their part in making a comment about urban environments and the politics of decay. Had it not rained so much, the murals might have lasted the summer. But let Nature do what it does, and let the artist do what he does.

Tanbouli finished the project by holding a big party and declaring the murals “open to view for as long as they last.”

 

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around and about – 7 men in London Town

Seven Men in London Town

ARTISTS: Jonathan Comerford, Tom Adriani, Jai Llewellyn, Tony Lee, Eric Storey, Julian Ronnefeldt, Nazir Tanbouli (above, book by Nazir Tanbouli).

Redgate Gallery SW9 April 23- 29

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“Private Nightmares” an exhibition by Nazir Tanbouli

nazir tanbouli

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